(Spoiler alert: before you read this blogpost on the creation of my Jack Kirby homage story Rotkäppchen, you should read the story itself. The german original was published in the anthology Märchen (fairy tales) by Tisch 14 and can be ordered here. You can download an english version here as a pdf file.)
Since my youth I love the comics by Jack Kirby. Just as long I draw myself and though Kirby’s work always was an important reference point my drawing, it never came to my mind to draw a declared homage to Kirby. Only in the winter 2015/16, stimulated by reading Erik Larsen’s SAVAGE DRAGON, I started to think about drawing a comic that mimics the stylistic elements and narrative structures of Kirby, exaggerates and plays with them. When I learned that a group of Viennese comic creators (Tisch 14) planned an anthology under the Theme of „Fairy tales“, a project took shape: „Little Red Riding Hood – the Jack Kirby Version“ At first I thought I could just implement the well-known fairy tale by the brothers Grimm in Kirby’s characteristic style, but after the first sketches of the characters it became clear that I had to rewrite the tale. The heroine Little Red Riding Hood had to be a superhero, and the grandmother should be more powerful than normal people to have her place in a kirbyesque cosmos. But that changed the balance of power, which is so important for a story: The wolf was no longer the major threat, on the contrary: If Little Red Riding Hood and her grandmother were powerful, the wolf was suddenly the victim. This allowed me to touch some topics that are close to my heart, such as environmental protection and animal rights.
- The wolf
I decided that the story would be staged in a version of Asgard, somewhere between the home of Kirby’s Thor and the New Genesis of his New Gods. The shape of the wolf was immediately clear to me: a werewolf in Kamandi’s pants, his body shape should be reminiscent of hulking monsters like Ulik or Kalibak. Rotkäppchen became a confident young woman, a bit naive, but with a good heart. Thors Lady Sif and the young Crystal of the Inhumans were her role models, she got a tight outfit and to identify her as a superhero Captain America’s gloves and little wings on her red cap. As I had her wear a cap and not a riding hood, I had to stick with the original german name Rotkäppchen, which literally means Red little cap. Now it was clear that the grandmother had to take the role of the big bad, and I made her the ultimate Kirby villain: In addition to the personality of Granny Goodness she got the looks of Modok, the power of the high Evolutionary and menacing intentions like Darkseid or Galactus. I transformed the hunter from Grimm’s fairy tale into a crowd of knights or soldiers in the service of the grandmother, each in a different style, no one appears twice, all more or less faceless. Doctor Doom’s robots from Fantastic Four 84 to 87 and many similar figures from different stories influenced their design.
Because it seemed inappropriate to me that these hunters would address Rotkäppchen and her grandmother with „Rotkäppchen “ and „grandmother“, these characters needed new names, and finally the wolf got one too. The trio Rotkäppchen, Wolf and grandmother in their new and kirbyfied shapes reminded me a little of Ariel, Caliban and Prospero in Shakespeare’s „The Tempest“, at the same time the Icelandic form of the family name allowed me to anchor Rotkäppchen and the wolf in Norse mythology: Rotkäppchen as the daughter of Donar, a.k.a. Thor, and the Wolf as the son of Fenris, the mythical wolf that plays its role in the Nordic version of the end of the world (Ragnarök): thus the names Aria Donarsdottir, Kalib Fenrisson and Prosperina were found!
So the three main characters refer to at least three different stories: Grimm’s Fairy Tales, Norse mythology (and Kirby’s version of it) and finally The Tempest. This stacking of mythologies was something that Kirby did constantly, for example in Thor’s companions Fandrall, Hogun and Volstagg: All three are residents of Asgard, and therefore enrolled in Norse mythology. Simultaneously, the template for the trio can be found in Alexandre Dumas’ Three Musketeers Athos, Portos and Aramis. Besides, each of the three own roots in various other fictional works: Fandrall is the type of hero embodied by Errol Flynn in the cloak and dagger movies of old Hollywood. The grim Hogun references Hagen von Tronje of the Nibelungenlied and Volstagg is Kirby’s version of Shakespeare’s Falstaff (The Merry Wives of Windsor, Henry IV, Part 1 and 2)
While working on Rotkäppchen, I discovered that Kirby has made a version of Little Red Riding Hood himself. And it even plays in Asgard! It was called „The Golden Apples“, appeared in Journey into Mystery 114 and crossed Grimm’s fairy tale with the Nordic myth of Iduna. It had neither fistfights nor cosmic conflict, no machinery and no Kirby Krackle. The elements of style that I wanted to have in my Kirby homage, are missing in Kirby’s own version. So in trying to emulate Kirby’s style I made a version of Rotkäppchen more kirbyesque than as Kirby’s own, which is quite an achievement.
